KULTUREThe answer is to make your own culture, from your own perspective; film, music, literature, paintings, photography it's all art and art has always had power over the human mind. Why do you think the enemy has made certain to have such a iron fisted grip on Hollywood, Nashville, and Madison Avenue?
How do we know what we know? We are taught by the mass media and the education system. But what if they were subverted by a satanic secret society, i.e. the Illuminati? (i.e. Cabalist Judaism and Freemasonry.)
"Modernism" and its spawn mirror a gradual perversion of reality and morality by the Illuminati bankers. What we regard as "progress" is really the advance of their satanist agenda. It is the change in "changing the world."
The mass media and education system promote this suspension of reality. Truth is controlled and suppressed. Lies are promulgated. Negative or self-destructive behavior is modeled in a positive light.
Modernism is a solipsism where the bankers' perversity becomes the norm. For example, the CIA actively promoted modern abstract art, an art disconnected from human identity and aspirations, an art any child or monkey could produce.
They financed the cultural magazines, (Encounter, Partisan Review) critics (Clement Greenberg) and art museums through a network of foundations and Illuminati millionaires like Nelson Rockefeller and John Hay Whitney.
"Many of the artists in the movement had radical backgrounds (Jackson Pollock, Mark Rothko and Franz Kline for example...) Their painting, with its gestural expression of the artist's consciousness and total rejection of representation, constituted a massive rebuke to...Soviet art.." (p.106)
Not really. While pretending to reject socialist realism, the CIA in fact advanced the Communist agenda which is to make art discordant, irrelevant and ugly.
The same story can be applied to modern literature where the "anti-hero," i.e. the alienated outsider and misfit, (i.e. the Illuminati Jew) becomes the hero. The "hero" is not the community-builder but the Luciferian rebel, the destroyer of the Cabala.
Similarly, modern literary criticism is a linguistic voodoo divorced from the author's social reality, biography or intention. This criticism was orthodoxy when I went to university. I wondered why this placebo was presented as "truth." Now I know.
The same story can be repeated for music, TV and movies. These have convinced everyone that the fertile young female is a Goddess, while romantic love and sex are panaceas and the purpose of life. (How would a pagan sex cult differ?)
With folks thus distracted, perverts and traitors are inserted into all positions of leadership. Just look at the logos with swooshes (sunrises), dots, pyramids (triangles) or combinations of the three. They are everywhere. Guess what? While we were sleeping, a satanic cult took over.